That Beaker guy really deserves to win a little something once in a while. And only you (yes you, the funny lookin' guy) can help him win the elusive Webby Award! Today (Thursday) is the last day to vote! Beaker is even going to give you a present for voting: A brand new reedit of his "Ode to Joy" video:

Do your civic duty and vote by clicking here. And for those of you with short memories, you can view the original nominated video here.

Click here to talk about Beaker's Webby'ed feet on the ToughPigs forum!

Labels: awards, internet, music

Here's some reasonably exciting news: The original Muppet YouTube video "Ode to Joy" has been nominated for a Webby Award! The Webbys, naturally, are awards given for stuff made for the web, and Beaker has been nominated in the Best Music Video category. In case you need to be reminded how award-worthy the video is, take a look:





You can show your support for Beaker and classical music by going to the Webby People's Voice voting site and placing your vote. You do have to register before you can vote, but don't let that stop you. I'm 85% sure they won't use your information to steal your identity.

You may remember that back in 2007, the web series Statler and Waldorf: From the Balcony won a Webby Award. Except you probably don't remember, because most Muppet fans completely lost interest in that silliness when the producers replaced Steve Whitmire and Dave Goelz as the title characters. But the point is, Muppets won before, and Muppets can win again! And this time, the thing that got nominated is actually good!

So vote for "Ode to Joy!" If for no other reason than so we can hear Beaker give an acceptance speech.

Click here to lay odds on Beaker's Webby chances on the Tough Pigs forum!

Labels: awards, internet, music, news

Not content to keep to one country, Sesame Street has cloned, doppleganged, and otherwise duplidupliduplicated itself into over 30 co-productions all over the world. Each one has its own set of characters, but the jury is still out on how many provinces and commonwealths exist within Elmo’s World.

To celebrate the international aspect of all things Sesame, Putamayo Kids has released “Sesame Street Playground,” a CD chock full of songs from Streets around the world. Also included with the CD is an extensive booklet with liner notes and a bonus DVD.

The CD contains music from Sesamstraat (The Netherlands), Takalani Sesame (South Africa), Zhima Jie (China), 5 rue Sesame (France), Ulitsa Sezam (Russia), Plaza Sesamo (Mexico), Galli Galli Sim Sim (India), Shara’a Simsim (Palestine), Rechov Sumsum (Israel), Kilimani Sesame (Tanzania), Vila Sesamo (Brazil), and of course, good old USA, home of the Whopper.
The music itself is pretty great. I only wish I spoke all of these different languages so I could get that much more out of it. The theme songs to Sesamstraat and Galli Galli Sim Sim are both included, which sound remarkably familiar. We also get the Chinese version of "Rubber Duckie" and the Brazilian version of "One Small Voice." The rest of the songs are catchy, but not as familiar to American audiences.

Something I don’t always take special notice of is the liner notes. In this case, a full booklet is included, featuring a brief synopsis of each song (which is important if you don’t know what “Ohgneyat Al Lo’ba Al Sha’beyya” means) and translations into Spanish, French, and German. The notes are cute and informative, and now I’ve figured out how to say “Mr. Noodle” in four languages!

The cover, in my opinion, could use a little improvement. As you can see, it looks like a watercolor painting done by the artiest 10-year-old in the class. It doesn’t quite fit in with the rest of the Sesame Street library, but after looking at some of Putamayo Kids’ other releases, it definitely fits in well with those. I’d assume that this album would have a better release with other international titles rather than Sesame albums, but it might have been nice to have something eye-catching to both demographics. Still, I’m perplexed by Cookie Monster’s hovering cookie basket, Zoe’s claw feet, and why half of the characters included on the cover don’t appear in the album at all.
By far, my favorite song on the album is Takalani Sesame’s “Pollution Song,” which is one of the songs included on the bonus DVD. Part of the song is in English (one of 11 languages spoken on the show), which makes it a little easier to follow. I like the design of Moshe, the walkaround character, and the low, gravelly voice of Zikwe (the blue monster) fills out the song nicely in a way we don’t often hear on our Street. The song also includes everyone’s favorite Muppet to help create false rumors, Kami, in the only clip I’ve seen of her that didn’t involve a lesson about being HIV positive.

Also notable is Rechov Sumsum’s “En Den Dino,” which features Ronnie Rock, an Israeli children’s performer who doesn’t look anything like his name should be “Ronnie Rock.” The chorus has mostly nonsense words, which makes it easy to enjoy, although if you’re listening to a song to which you don’t recognize the language, it’ll all be nonsense to you anyway. Still, the inclusion of this song saddens me, if only for the fact that we didn’t get an appearance by Moishe Oofnik.

Two songs from Sesame Street USA made it onto the album: “Elmo’s Song” and “Sing.” I suppose the former was included to forgive the fact that Elmo is on the cover (as is with most Sesame releases these days), though I would have preferred one extra international song. I did enjoy the inclusion of “Sing,” which is sung in both English and Spanish, making for a proper fit in this compilation. Wiki fact: Did you know that Emilio Delgado wrote the Spanish translation for “Sing”? Es verdad!

The only dud of the 5 DVD tracks is “The Song of Caretakers” from Ulitsa Sezam. The video features Na-Na, which, as far as I can tell, is the Russian equivalent of The Wiggles. The song is pretty much a music video for these guys, and Muppets don’t even show up until we’re two minutes into the three minute song. On top of it all, it’s the third song out of the five to feature a regional celebrity, rather than spotlighting the best of the puppet characters.

In all, I found the CD and DVD to be most fun. Since I don’t have the biggest interest in foreign language music, I doubt it’ll jump off my shelf too often, but that doesn’t mean it’s not well-done or entertaining. The one reason I would bring it out again and again would be for the DVD portion. If Putamayo Kids or Sesame Workshop decide to release another volume, I would hope that they’d make it a DVD with a bonus CD, rather than the other way around. I haven’t seen much of the international characters, and they’ve teased me enough to make me want more.

All said and done, I would recommend the album, but only if your heart yearns for world music. If not, then a second listen may not be in your future.

Sesame Street Playground will be available in stores on September 30.
Klicken Sie hier, um diesen Artikel auf dem Forum von ToughPigs zu besprechen!

Labels: DVD, music, review, Sesame Street

Labels: music, old school, Sesame Street

Over the past few days, Ryan Roe and I have been sharing some of our favorite obscure Sesame Street songs.

Today, let’s talk about Sesame Street albums. Back in the 70s and into the 80s, the fine people at Children’s Television Workshop released records with alarming frequency. While many of the songs came straight from the TV show, a very large number of them were recorded especially for the audio releases. Many of these albums (you can find a full list at Muppet Wiki) have been out of print for years, so they’re a perfect place to look for obscure songs. I’ll begin today with a few of my favorites:

I'm Square – 1983 (The Gang’s All Here!)

If you’re reading Tough Pigs, chances are high that you’re a big geek, or a big nerd, or even kind of square. Here, Bert celebrates his status as One of Us. He waxes sentimental for his love his boring things, getting more and more excited as the song goes on. Any adult Sesame Street fan can relate to Bert’s frustration at being ridiculed for having unusual interests. The only difference is that in Bert’s case his interests include Kleenex and “pigeons in the news”.

The song is packed with amusing lines, as Bert reels off one nerdy obsession after another. Frank Oz’s performance is typically excellent, of course. When Bert sings about cold mashed potatoes towards the beginning, you can feel the affection in his voice. But by the time he gets to argyle socks at the end, he almost sounds like he needs a cold shower. Again, all geeks probably sound like that sometimes, which only makes it funnier.

Come Along (1978 – On the Street Where We Live: Block Party!)

Yesterday Ryan highlighted “Soul Food”, a Gordon-sung tune from this same record, my no-doubt-about-pick for the best Sesame Street album of all-time. Every song on it is a gem, with great numbers for most of the human cast members, as well as both of Caroll Spinney’s Muppets. It starts out with this track, where Big Bird is impatiently waiting for the party to start. When no one wants to play with him, he does what comes naturally – starts singing about how beautiful a day it is.

In the song, he urges everyone to join him and “Sing a happy song”. They do, conveniently as soon as he gets to the line “Oh, what a lovely sound when we sing this song.” And it’s a lovely sound indeed. This is straight-forward, snark-free happy Big Bird at his finest. I can’t help but feel happier and more energetic just for having heard it. While re-listening to it for this article, in fact, I started pumping my fists in the air and then jogging laps around my apartment. I swear to you that’s the truth.

It also features a reference to John-John. How can you say no to that?

Upside Down, Inside Out (1978 – On the Street Where We Live: Block Party!)

As I mentioned, this album is full of great songs for the human cast members – Gordon, Maria, Susan, Olivia, and David all get memorable numbers. Best of all is this one, sung by Bob and The Kids. The beginning is as understated as can be, with Bob idly playing piano. One of The Kids asks him to play a song, and he does.

It’s a typically upbeat Bob song, and it’s all about how great You are. Yes, You. “You can turn my seams around, put my toes back on the ground, with just the love in your eyes” he says. And don’t think he doesn’t mean it. Would Bob lie to you? No, of course he wouldn’t. If you don’t believe me, listen to the song. Just once. You won’t doubt that you’re more important to Bob than anything else in the entire world.

Too Busy (1978 - Fair is Fair)

Here’s an example of how prevalent Sesame Street albums were in the 1970s – the very same year as Block Party!, CTW put out the also-terrific Fair is Fair. It has a lot of great Muppet songs on it, but its most memorable moment comes from, surprisingly, The Kids. Just one Kid takes the lead here – a boy named Jamie Aff – and he’s pretty far away from the likes of “Sing” or the theme song.

Instead, he’s talking about being ignored by his parents. He painted a picture at school today, it seems. But when he excitedly brought it home, his unspecified didn’t have time for him. It’s slightly unsettling to hear a Sesame Street song address parental neglect so head-on, but this was the 1970s, the era of the latchkey generation. In any case, the song is terrific. Young Mr. Aff really invests in the emotion of his character’s dilemma, and the refrain is relentlessly catchy. As for how the parent-child conflict is resolved – well, I’m not going to spoil it.

Cripple Creek – 1970s Sesame Street

This was never featured on an album, but I couldn’t leave it out of this list. Sung by Buffy (the human cast member who has sadly become mostly forgotten) and Fred the Wonder Horse, it’s an old-fashioned folk song about “going up to Cripple Creek to see my girl”. Buffy doesn’t change the gender-specific lines in the song, by the way. She mentions that she’ll “kiss her on the mouth” and that the girl will “wrap herself around me like a sweet-potato vine”. It’s slightly shocking to the modern listener.

That example of less-restrictive curriculum standards aside, the song is simply amazing. While singing, Buffy also plays a mouth-bow. This lends the song a unique, off-the-cuff vibe like nothing else ever heard on Sesame Street. Meanwhile, Buffy’s and Jerry Nelson’s voices blend together so perfectly that you’ll bemoan the fact that they never recorded a full album together. Say, that would have made an excellent addition to CTW’s release slate.

Well, that’s it for our twenty picks, but that isn’t all we have to say about obscure Sesame Street music. Click here for part five, where you’ll see Ryan and me together! At the same time!

Click here to kiss Tough Pigs Forum on the mouth.

Labels: music, old school, Sesame Street

This is the third installment in a five-part article about really great Sesame Street songs that are not as well-known as they should be. Part one is here, and part two (by Anthony Strand) is here. And now, more words about songs.

Soul Food
On the Street Where We Live: Block Party!, 1978

I've always loved the humans of Sesame Street nearly as much as the Muppets. I never owned a Bob doll or a Maria PEZ dispenser, but they've taught and entertained me for years, so the 1978 Block Party record is right up my alley: Big Bird and Oscar are present, but the spotlight is really on the less fuzzy residents on the street.

Of course, there's no Sesame Street character less fuzzy than Gordon, who offers this groovy, timbale-infused musical invitation to check out his food booth at the titular block party. When I hear the song, I can practically smell Gordon's dishes, including shrimp & rice, po' boys, birdseed ice cream, and enchiladas -- with meat AND cheese! "Everybody's got soul food/Would you like to buy some?" he asks, then warns "Don't say no till you try some!" Which, now that I think about it, kind of sounds like he's selling drugs, but I'm pretty sure he's not.

I would certainly get in line for some of Gordon's soul food... although I'm not sure I have any cash. Are there any ATMs on Sesame Street?

Count von Count's Continuous Country Cooking Downhome Diner
Sesame Country, 1981

As it turns out, Gordon's not the only skilled chef on Sesame Street. If, as this song says, you like home cooking, "try it Transylvanian style!" Everyone is welcome to "come inside and open wide" at the Count's restaurant, which is presumably the world's only Transylvanian-Southern fusion eatery.

The title of this track alone is fun to say, and the song is all banjos and fiddles. The Count's friends place their orders (by number, of course), although none of them sound especially "country"... Cookie Monster orders a cookie sandwich, while Ernie ultimately decides on cereal, but I'll assume those are authentic Nashville corn flakes. (Or perhaps authentic Romanian Rice Chex). Grover, meanwhile, orders "a number 5: the business monster's lunch," which is fairly adorable.

As far as I know, this is the only time the Count has ever done a country song, so that's pretty cool. I think this is also the only time we ever heard about the Count owning a restaurant, which makes sense... He probably got so caught up counting every single plate, glass, and utensil in the kitchen that he forgot to serve the food.

A Very Unhappy Birthday to You
For the First Time, 1982

This song should not be confused with Disney's "Very Merry Unbirthday" song from Alice in Wonderland, which does not mention chocolate pickle juice.

Oscar is at his best when he's at his worst. That contradiction defines the entire grouch culture that exists in Sesame Street's world: To a grouch, anything awful is wonderful. This song explains the goings-on at a grouch birthday party, and Oscar is beautifully nasty, wishing horrible things on the birthday boy or girl.

It's really rude to hope your friend gets a tummy ache from eating his cake, but for a grouch, anything nicer would be much more offensive. (Do you suppose grouches ever suffer from cognitive dissonance, what with all that "feeling good makes me feel bad, which makes me feel good" stuff?)

I didn't know about this song until recently, but I sure hope somebody sings it to me on my next birthday.

Get Along
late 80s/early 90s Sesame Street

Remember when I said I was impressed that Sesame Street composers can work in any style? Well, you might wonder, can they do a capella? And can they come up with an a capella song including parts for Twiddlebugs, Martians, and cows?

The answer, of course, is yes. Kermit takes the lead vocal on this toe-tappin', finger-snappin', yup-yup-yuppin' doo-woppy number, which carries the message that we can all get along if we just get together and sing. You know, they make it look so easy on Sesame Street, but when I try to start a sing-along on the subway or in Burger King nobody ever jumps in. Maybe I just need to move to a city with more Martians...

Best Friend Blues
late 80s Sesame Street

There are so many great Sesame Street characters that it's impossible for all of them to interact with each other. Which is why it's pretty exciting to see this Snuffy/Ernie team-up. Those guys are usually seen in the company of Big Bird and Bert, respectively, which just happens to be what the song is about.

As the song begins, Bert has just abandoned a kite-flying session and gone home after suddenly falling ill. (At least that's what he told Ernie. It's altogether possible he's faking it so he can watch his oatmeal soap operas or whatever without being disturbed.) Meanwhile, Big Bird has up and gone to Granny Bird's without notifying his big brown friend, leaving both Ernie and the snuffleupagus with an acute case of the titular blues.

Hoots the Owl contributes some fine sax-blowing as Ernie makes a medical breakthrough: the cure for the best friend blues! He reminds Snuffy "we're buddies too!", which doesn't quite seem accurate, as I've never seen them talk to each other before or since, but whatever. He then suggests that the two of them can play together -- they can play in his room, he says, though that sounds problematic given Snuffy's girth. I do like the idea of Bert in bed trying to sleep off his 24-hour flu, when suddenly Snuffy stomps in and knocks over all the furniture. That'll teach him to be sick!

This song makes me wish for more rare character pairings. What about a Mumford/Rosita song? Or a Grover/Stinky the Stinkweed duet? The possibilities are so many they could even keep the Count busy for a few days.

So there you go -- five more delightful but lesser-known Sesame Street songs. And believe it or not, there are still more, five of which Anthony will tell you about in part four, which you can find right here. Oh, boy! You can hardly wait!

Click here to talk about groovy Sesame tunes on the Tough Pigs forum!

Labels: music, old school, Sesame Street

Yesterday, our own Ryan offered a look at five obscure Sesame Street songs. Now it’s my turn. But today, I won’t just list any five songs – I’ve got a theme!

You see, one of the things I love most about Sesame Street is the way the universe it takes place in is so fully realized – it’s a world where two people can have an entire conversation about sharing or healthy food or the number six, and the audience not only doesn’t question it, they revel in it. How much more exciting is it, then, when the characters are singing instead of talking? Today’s five songs are all examples of the popular music you can only find on the Street.

With Every Beat of my Heart – 1970s Sesame Street

Little Jerry and the Monotones are probably best known for their string of hits about emotions, including “Mad,” “Sad,” and “Proud. But they were a staple of Sesame Street Top 40 for years, reaching their creative peak here, with a doo-wop song that somehow manages to be both a heartfelt love letter to a girl and an educational lesson on the circulatory system.

The tone is set right away, when Little Jerry proclaims “You know your heart beats pumping blood to all the parts of your body. I know that my heart beats too, and that my heart is beating FOR YOU!” The Monotones join in, harmonizing on “Boom-thump/Feel my heart ju-u-ump!” The next two minutes are sheer exhilaration. If your heart doesn’t jump just a little bit, it’s possible that you don’t have one.

A final note: “With Every Beat of my Heart” might sound familiar – writer Jeff Moss reused much of it when he wrote “Gonna Always Love You” for The Muppets Take Manhattan a few years later.

Rock and Roll Readers – 1990s Sesame Street

Little Jerry’s primary competition, Little Chrissy and the Alphabeats, shoot back with a song all about the rock star lifestyle on Sesame Street – rather than sex and drugs, it’s full of books. “Sure it’s lots of fun to be a rock and roll star, but being a rock and roll reader is better by far,” screams Little Chrissy. It says a lot about how things work on Sesame Street – education is all around, and everyone spends all of their time learning, even popular musicians. Looking beyond what it means, though, it’s just a catchy, Jerry Lee Lewis-style tune that you can dance to. And that’s what really matters.

Bert’s Blanket – 1980s Sesame Street

With Ernie staying over at the Count’s, Bert looks forward to a good night’s sleep. He lives on Sesame Street, though, so he doesn’t get to sleep at all – he both gives and gets an education. He and a herd of sheep (led by Jerry Nelson) explain how blankets are made, and they do it in a Shangri-Las-esque fashion. The sheep sing about being sheared, and Bert takes over to explain how wool is spun into thread and finally woven into a blanket. The reason the song works, though, is that the beautiful, almost haunting melody is accompanied by terrific harmonization – some sections have several sheep all taking different parts. It’s staggeringly lovely. Yes, I just called a song about how blankets are made “staggeringly lovely.” I won’t take it back.

In the Doghouse – 1970s Sesame Street

Roosevelt Franklin is apparently a child himself, but he was the teacher at Roosevelt Franklin Elementary back in the 1970s. Here, he gives his students a lesson in respecting the property of others through a parable about two small dogs taking a bone that belongs to a much larger dog. The style of the song is remarkably loose and experimental – it really sounds like a classroom full of students just singing.

What it doesn’t sound like, however, is anything else ever heard on Sesame Street. Without paying attention to the lyrics, it’d be easy to mistake it for an underground soul recording – the students clap, chant, and lay down beats like there’s no tomorrow. When you realize it’s a song about not taking things that aren’t yours, it will blow your mind. On Sesame Street, it’s possible for learning to sound like anything at all, not just mainstream pop music.

Rain Falls – 1970s Sesame Street

Finally, this could have been an adult contemporary hit, if it weren’t about two fellows explaining why they love rain. The first is Oscar the Grouch, and the second is Bob. Oscar, of course, loves to see “trucks roll by splashing mud on everyone”, while Bob praises it for “helping flowers start to grow,” to cite two examples. It’s a great character study – a person who has never encountered either character will know exactly who they are by the end of the song – but it’s also a solid lesson in what rain does.

I went out of my way to bring up the educational content of all these songs, obviously, but that’s because it’s easy to miss if you happen to be an adult. Like so many of the great Sesame Street songs, they play just like any other well-crafted piece of music. In the end, I think that’s the most impressive thing about these songs – adults can not only appreciate them, but actively enjoy them.

If you thought this was a bunch of hogwash, click here for part three and five more choices from Ryan. I’ll be back on Thursday with five more. See you then.

Click here to share your love of Roosevelt Franklin on the Tough Pigs Forum.

Labels: music, old school, Sesame Street

You know what I love? Sesame Street music. In the show's four decades of existence it's covered pretty much every genre -- pop, rap, opera. Heck, Menudo even made an appearance sometime during the Reagan years. I don't know the exact figure, but what with over four thousand episodes plus two movies, numerous specials and countless albums, I'd estimate the total number of original Sesame Street songs at about fifty million.

Songs like "C Is for Cookie," "Rubber Duckie" and "Sing" are American classics -- and we're sick of them. Which is why my pal and fellow Muppet fan, Tough Pigs' own Anthony, and I are going to write this week about our favorite lesser-known Sesame Street songs. It seems like every time I hear an old Sesame LP or watch a special I've never seen before, I discover at least one amazing song that I never knew existed.

So I'm going to tell you about a few today, then Anthony will tell you about a few tomorrow, I'll be back on Wednesday, Anthony will be back on Thursday, and the two of us will wrap it up on Friday. Got that? Here we go.

Oh-- one more thing. You may notice that while we're telling you how great these songs are, we're not actually presenting the tracks themselves here for your listening enjoyment. That's because they're all owned by the Sesame people, and we ain't the Sesame people. However, I may or may not have heard rumors that it may or may not be possible for you to hear and see these songs by doing some searching around the internet. And that's all I'll say about that.

Write It Down
1980s Sesame Street

As far as I know, this is the only time Sesame Street has covered the topic of "You should write things down if you want to remember them later," which makes sense, as I can't imagine it's a major issue for preschoolers. But the highlight of this number isn't the rarity of the subject matter, it's the style: "Write It Down" is a rap.

Maria, the illest rhyme-buster on the street, sets things up for us, then we learn more about writing things down from Luis (who writes plays and stories) and David (who documents his grocery orders "from all over town" -- apparently Hooper's clientele reaches far beyond Sesame Street). But Forgetful Jones steals the show, despite having no idea where he is. "Write It Down" is an incredibly catchy old-school rap, and proves that Sesame Street is just as dope as it is educational.

Comb Your Face
1980s Sesame Street

I guess this first appeared on Sesame Street in the 80s, but I just discovered it a few years ago on Play With Me Sesame. It's sung by Furline Huskie, a monster performed by Richard Hunt, a Muppeteer with more energy than a 6-year-old after three bowls of Count Chocula. The monster's about to go out (perhaps on a hot monster date), and before leaving the house he shows us his grooming routine and invites us to join in.

It's only a minute and 20 seconds long, but it really does make fur management seem like the most fun you can have. I can only imagine how many children watching at home ended up bruised and mangled as a result of following Furline's instructions and vigorously combing their own faces, waists, and tummies.

Sing in the Shower
1980s Sesame Street

Speaking of good hygiene, here's a song about proper bathing habits -- a worthwhile topic considering the fact that 78% of children smell funny.

Hey, remember Olivia? That lady sure had a set of pipes, and she's in better voice than ever as she sings in the shower about singing in the shower. How meta!

But she's not the only one who la-las as she lathers: Verse 2 finds Big Bird singing in the birdbath. Whereas Olivia was tastefully filmed from the shoulders up as she showered, Big Bird is seen fully nude. Meanwhile, Ernie sings in his bathtub and Oscar sings in his mudbath. Which explains why Oscar has such great skin.

This song, much like "Comb Your Face" and "Write It Down," makes a mundane task seem fun and does it with gusto. I sing this song at the top of my lungs every time I shower.

Counting the Days
Merry Christmas From Sesame Street, 1975

There's one thing Big Bird doesn't like about Christmas, and it's not the crass, exploitative commercialism. Rather, as he explains on this track from Merry Christmas From Sesame Street, it's the mere act of waiting for December 25 to arrive! Big Bird's frustration makes for an amazing 1950s-style rock 'n' roll number, complete with falsetto singing that makes my voice crack when I try to sing along.

Once again I'm amazed at the apparent ease with which the Sesame Street songwriters compose a song that sounds like it could have been a hit single... and if Ernie's verse about helping Rubber Duckie write a letter to Santa doesn't cause your spine to melt from cuteness, you are a heartless beast and I want nothing to do with you.

Shapes in My Room
1990s Sesame Street

Telly is by far the most underrated Sesame Street Muppet. I mean, the dude can't catch a break. He's been a major Sesame regular for decades now, but he always gets ignored when it comes to merchandise, and no kid ever names him as his or her favorite character. Telly is the middle child of the Sesame Street Muppets.

But with "Shapes in My Room," Telly proves his worth, buoyantly taking us through his daily routine of scrutinizing every object in his bedroom and identifying what shape it is. I guess this song came before the writers gave Telly his bizarre triangle obsession, but still, this fella really loves his shapes. His energy is infectious, as is his scatting prowess. ("Dooby dooby doo-WAH, ba-doo-WAH, ba-doo-wah!")

I really don't know how I'd classify the song itself... it has some jazzy horns, but it's not really jazz; it has some wicked electric guitar, but it's not quite rock. I've never seen another Telly solo this impressive, but that's okay... the shape of this song is AWESOME.

And those are five of the best lesser-known Sesame Street songs. Click here for part two, in which Anthony will tell you about five more!

Click here to talk about excellent songs on the Tough Pigs forum!

Labels: music, old school, Sesame Street

Labels: Muppet performers, music, review

Guess who's nominated for a Grammy? If you guessed "the Muppets," you're correct! (If you guessed "Amy Winehouse," you're also correct, but that's not who I'm going to write about, at least not today.) Last year's album A Green and Red Christmas was nominated for Best Musical Album for Children. Now, this CD came out way back in October of 2006... so what better time to review it than December 2007? So join me, won't you, as I make some hot chocolate and listen to this year's only Grammy nominee that features a song by a prawn.

Labels: awards, Christmas, music, review

Over the past year, Sesame Workshop has been very kind to us, providing us with oodles of classic Sesame Street DVDs which remind us of simpler times before Oscar was green, before Cookie Monster had a neck, and when Bob wore shirts that could now be used as road flares.

It's almost amazing that the now 74-year-old Bob is still hanging out with the monsters and kids and monster-kids on that inner city street. You'll be happy to hear that not only is he sticking around, he's not planning on slowing down any time soon.

Bob has recorded at least 10 albums over the past 37 years, and his newest album #11 is Christmas Sing Along, filled with, you guessed it, Christmas songs. Now, as an uneducated Jewish boy, I was admittedly a little hesitant in buying this album. I can count the number of Christmas-related albums I've bought on one finger (that'd be Muppet Christmas Carol, for those of you keeping score). Growing up, we felt like we heard the same three Christmas songs over and over, and somehow we still never learned the words to them (seriously, a verse about figgy pudding? You're making that up...) And while Bob's new CD might not have much of a re-listenability factor for year-round enjoyment, he did make one heck of an album.

The very first thing I noticed about the album is that Bob has a wonderful wonderful voice. It's smooth and light, confident and positive, yet devoid of arrogance. And considering Bob is pushing 3/4 of a century, he still sounds just as he did back in the 70s. If I didn't know better, I'd assume that this was a reissued album, found in a time capsule left to us by the ToughPigs of yesteryear.

Likewise, his backup band is terrific. The only name I recognize in the liner notes is Blue Lou Marini, from the Saturday Night Live Band and the Blues Brothers Band, but they all do a terrific job when you stop to listen. There's no MIDI files here, folks. I can definitely hear some jazz influence in the background of about half of the songs, giving parents a little something to appreciate in case your kids insist on listening to this album over and over and over. Which they might.

While many of the songs are pretty straight-forward Christmas carols, my favorite by far is the novelty song, "What a Great Christmas It Was," which tells the story about Santa accidentally switching presents. So Grandma gets a yo-yo, the dog gets underwear, and Dad becomes a cross dresser. Um, you just have to hear the song. It's greatness songified.

Also included on this album is the Sesame Street classic, "Keep Christmas With You." And while it's not the same without Linda signing the lyrics, it's still nice to hear a new version.

Back on December 7, I was lucky enough to see Bob perform at a Barnes and Noble in promotion of the new CD. Being the technologically devoid person I am, I bought a disposable camera (which still has like 20 pictures left on it.. sorry, you won't be seeing those for a while) and I took some video footage with my cell phone. It's only 14 seconds, and there's a kid screaming behind me, and the quality is like I'm shooting in an underwater smoking lounge... y'know what, I just suck as a cameraman. Enjoy the video of Bob singing "Keep Christmas With You," and if you like Christmas, go buy this CD. You won't regret it.

Click here to discuss Seven Swans A-Swimming on the ToughPigs forum!

Labels: music, review, Sesame Street, Sesame Street humans